Un'opera teatrale di Sacha Guitry adattata e diretta da Pino G. Tarantino
The story of the Prince of Motordu, who inhabits a crazy world where all the words and names are jumbled and not quite right. The peaceful land is thrown into disarray one day when a schoolteacher arrives, Princesse Dézecolle. Together, the Prince and Princess will try to unscramble everything!
Une creazione della Compagnie Florestan
Starring the comedian, actor, and professional stage Marie Fortuit accompanied by pianist Lucie Sansen, this musical recounts the story of how Anne Sylvestre's poetic and political legacy resonates with the careers of two thirtysomething artists in the 2020s. Through the memorable or more intimate songs of Anne Sylvestre, the autofictional writings of Marie Fortuit and the musical arrangements of Lucie Sansen, a powerful, hard-hitting heritage emerges, a feminist constellation is born, chanelling priceless echoes and natural pathways.
Issa, a young Eritrean left for dead in the Calais "jungle", has lost his memory. The only tangible trace of his past is his passport. He embarks on a long and pitfall-ridden quest to secure a residence permit, surrounded by others who have found themselves in equally desperate circumstances.
Théophile is a successful author who's hit a slump. He regains his mojo with a short, poetic tale on an aquatic theme. But disaster strikes when his aghast loved ones read it, as they see themselves in the characters, findings hidden messages in the depictions of sea urchins, octopuses, and other denizens of the deep. Tonight, they come together for what promises to be an eventful dinner, where scores will be settled.
In this brilliant detective story, a woman has disappeared. Her husband, Daniel Corban reports his wife Elisabeth missing. When the village priest tells him he has found her, Daniel is dumbstruck. The woman claiming to be his wife... is not. More shocking still is the fact that, since they were only recently married, nobody else seems to know what Mme Corban looks like. This Mme Corban says her husband is suffering from amnesia. Has he gone mad, or is he the victim of some diabolical scheme? A debonair police commissioner takes charge of the investigation...
Can't Pay? Won't Pay! is one of the great contemporary comedies. A thought-provoking, satirical play, anchored in the social and political realities of the time by its writers Dario Fo and Franca Rame. This is a veritable dramatic "war machine", with a humorous style almost unique in contemporary theatre. The comedic mechanics of the play push into the territory of the absurd, all the better to showcase the human behaviours and dysfunctions of our western societies. This is the French language version.
“Richard III is without doubt a monument of dramatic tragedy. As in Othello or Macbeth, hubris reigns supreme, mocking its victims in both body and mind, inexorably culminating in a bloodbath. The thirst for vengeance, the hunger for power, the irresistible desire to eliminate all those who stand in one's way, the intimate relationship with fate, auguries magnified by ghostly apparitions, characters haunted by betrayal, and violent punishment all make up this maelstrom of poetry and fury.” William Mesguich
Three close friends of more than fifteen years' standing suddenly find the foundations of their friendship shaken when Serge buys a whiteboard. “What are old friends? Friends who have known each other for a long time? Sure, but what else? When everything changes, when all is turned upside down, when movement is the only constant in our lives, what does an old friend look like? Because when all's said and done, can yesterday's friends still be friends today? What's a friend of 30 years? Perhaps someone perfectly unknown to us.” François Morel
Albert Einstein is an unusual boy. My name is Albert Einstein. I turned 9 and 3/4 exactly 3 days, 5 hours, and 46 minutes ago. The thing I enjoy most is playing with numbers: dividing, multiplying, juggling with square roots and hyperbolas at light speed. But at school, the teacher and my classmates make fun of me, because I get my words jumbled up.